When a chord changes but the scale remains the same, its like being in a different mode. Now the important notes of the scale have shifted to the pitches of the currently sounding chord and it is they that now have the gravitational influence instead and not the notes in the tonic chord that was playing previously.
The pitch F doesn't much want to go anywhere if an F Major chord is playing and won't have the inclination of moving to E as before when the C Major chord was playing. However, B as leading tone in the key often still requires motion to the previous tonic, C, at some point before finally moving to one of the chord tones in the F Major chord.
สมัครสมาชิก:
ส่งความคิดเห็น (Atom)
ไม่มีความคิดเห็น:
แสดงความคิดเห็น